A painter hangs his or her finished pictures on a wall， and everyone can see it. A composer writes a work， but no one can hear it until it is performed. Professional singers and players have great responsibilities， for the composer is utterly dependent on them.

    畫家將其已完成的作品掛在墻上，每個人都可以觀賞到。作曲家寫完了一部作品，但是要由演奏者將其演奏出來，其他人才能欣賞到。因為作曲家是如此完全地依賴于職業(yè)演唱者和職業(yè)演奏者，所以職業(yè)演唱者和職業(yè)演奏者肩上的擔子可不輕。

    A student of music needs as long and as arduous a training to become a performer as a medical student needs to become a doctor. Most training is concerned with technique， for musicians have to have the muscular proficiencyof an athlete or a ballet dancer.

    一名學音樂的學生要想成為一名演奏者，需要經(jīng)受長期的、艱巨的訓練，就象一名醫(yī)科的學生要成為一名醫(yī)生經(jīng)受的一樣。絕大多數(shù)的訓練是有關(guān)技巧性的，因為音樂家們必須使肌肉的熟練程度達到與運動員或芭蕾舞演員相當?shù)乃�平�?/p>

    Singers practice breathing every day， as their vocal chords would be inadequate without controlled muscular support. String players practice moving the fingers of the left hand up and down， while drawing the bow to and fro with the right arm—two entirely different movements.

    歌手們每天都練習吊嗓子，因為如果不能有效地控制肌肉的話，他們的發(fā)聲將不能滿足演唱的要求。弦樂器的演奏者則要練習在左手的手指上下滑動的同時，用右手前后拉動琴弓——兩個截然不同的動作。

    Singers and instruments have to be able to get every note perfectly in tune. Pianists are spared this particular anxiety， for the notes are already there， waiting for them， and it is the piano tuner‘s responsibility to tune the instrument for them. But they have their own difficulties； the hammers that hit the string have to be coaxed not to sound like percussion ， and each overlapping tone has to sound clear.

    歌手和樂器演奏者必須使所有的音符完美協(xié)調(diào)。鋼琴家們則不用操這份心，因為每個音符都已在那里等待著他們了。而為鋼琴調(diào)音正是調(diào)音師的職責。 但調(diào)音師們也有他們的難處：他們必須耐心地調(diào)理敲擊琴弦的音錘，不能讓音錘發(fā)出的聲音象是打擊樂器，而且每個交疊的音聽起來都必須要清晰。

    This problem of getting clear texture is one that confronts student conductors： they have to learn to know every note of the music and how it should sound， and they have to aim at controlling these sound with fanatical but selfless authority .

    如何得到樂章清晰的紋理是學生指揮們所面臨的難題：他們必須學會了解音樂中的每一個音及其發(fā)音之道。 他們還必須致力于以熱忱而又客觀的權(quán)威去控制這些音符。

    Technique is of no use unless it is combined with musical knowledge and understanding. Great artists are those who are so thoroughly at home in the language of music that they can enjoy performing works written in any century.

    除非是和音樂方面的知識和悟性結(jié)合起來，單純的技巧沒有任何用處。偉大的藝術(shù)家就是那些對音樂語言駕輕就熟的人，他們可以滿懷喜悅地演奏出寫于任何時代的作品。