奶昔直播官方版-奶昔直播直播视频在线观看免费版下载-奶昔直播安卓版本免费安装

育路教育網(wǎng),權(quán)威招生服務(wù)平臺(tái)
新東方在線

考研閱讀精選:美國(guó)民俗博物館的困境

來(lái)源:新東方在線 時(shí)間:2011-10-24 09:22:08

『長(zhǎng)久以來(lái),經(jīng)濟(jì)狀況一直是困擾各大博物館的難題,位于紐約的美國(guó)民俗博物館就因?yàn)閲?yán)重的財(cái)政危機(jī)而面臨著艱難的抉擇�!�

  Folk Art Museum Considers Closing

  美國(guó)民俗博物館的困境

  August 19th,2011 | from The New York Times

  The financial picture has grown so bleak at the American Folk Art Museum that its trustees are considering whether to shut it down and donate its collections to another institution.

  Even if ownership of the collection were transferred to the Smithsonian, one possibility being discussed is to have the Brooklyn Museum display some of it long term, making it still accessible to New Yorkers. The folk art museum has one of the country’s finest collections of American folk art, including some 5,000 quilts, paintings and functional objects like weathervanes. But it has long been plagued by serious financial problems.

  A decade ago the museum borrowed $32 million to finance the construction of an impressive building on West 53rd Street in Manhattan. But the sale of the building for $31.2million, while covering the debt, did not leave the museum with any extra cash. And it left, if anything, an even more difficult conundrum for the museum about how to move forward.

  The museum still has a small, 5,000-square-foot space in Lincoln Square, where it could continue mounting small shows if the trustees felt that it could sustain the costs of keeping a staff and paying to store, conserve and insure the collection. The museum remains open at that location these days, and admission is free. The building on West 53rd Street is closed.

  Compared with the Brooklyn Museum, which has had to make hard choices in recent years about what parts of its own enormous holdings to keep, the Smithsonian would appear to have greater resources to take care of the folk collection. But there will most likely be pressure to keep some of the collection in New York, making a loan arrangement with the Brooklyn Museum appealing.

  The folk art museum has suffered considerable bad fortune over the years. For example, its former chairman, RalphO. Esmerian, promised to donate his collection of folk art, including a version of Edward Hicks’s “Peaceable Kingdom,” but Mr. Esmerian also put the painting up as collateral against money he owed, and in 2008 it was put up for auction.

  The Museum of Modern Art has said that it does not know yet what it plans to do with the folk museum building. The museum sits between MoMA’s building and the site of a high-rise being planned by Hines, the real estate developer, which will include multiple floors of galleries for MoMA. One possible plan would be to tear down the folk art museum’s building to allow MoMA to make maximum use of the space.

  In addition to its holdings of folk art, the folk museum has a collection of outsider art, including several thousand drawings, books and related material by Henry Darger.

  The museum has lost several top employees since its financial problems started a few years ago. Brooke Davis Anderson, who was in charge of the museum’s collection of outsider art, departed last year for the Los Angeles County Museum of Art. The museum’s executive director, Maria Ann Conelli, left this year.

  The folk art museum’s situation is a stark warning of what can happen when a museum overreaches in constructing a new home. Founded in 1961, the museum survived some early near-death experiences. When it decided to build a permanent home, it engaged high-profile architects and borrowed the $32 million by issuing bonds through New York City’s Trust for Cultural Resources, a public benefit corporation that helps major cultural institutions borrow money for capital projects.

  Some critics have attributed the museum’s troubles to its architecture, saying that it was unwelcoming and did not display the art and artifacts attractively. To be sure, the museum never drew the crowds it had projected in estimates made during the planning process, or received enough contributions to support its interest payments. It was the first institution that borrowed through the trust to default on its debt. (640 words)

結(jié)束

特別聲明:①凡本網(wǎng)注明稿件來(lái)源為"原創(chuàng)"的,轉(zhuǎn)載必須注明"稿件來(lái)源:育路網(wǎng)",違者將依法追究責(zé)任;

②部分稿件來(lái)源于網(wǎng)絡(luò),如有侵權(quán),請(qǐng)聯(lián)系我們溝通解決。

有用

25人覺(jué)得有用

閱讀全文

2019考研VIP資料免費(fèi)領(lǐng)取

【隱私保障】

育路為您提供專(zhuān)業(yè)解答

相關(guān)文章推薦

24

2011.10

考研閱讀精選:膚色不同,結(jié)果相異

『在美國(guó)科學(xué)界,種族和膚色是影響科研人員職稱評(píng)定、獲取科研經(jīng)費(fèi)的重要因素,而這種歧視會(huì)造成人才的......

24

2011.10

海天考研英語(yǔ)沖刺班 宮東風(fēng)面授 報(bào)名從速

  海天考研英語(yǔ)沖刺班  開(kāi)班日期:2011年11月  上課提示:上課老師:宮東風(fēng)全程  學(xué)費(fèi):¥390......

24

2011.10

考研閱讀精選:知識(shí)產(chǎn)權(quán)-對(duì)專(zhuān)利制度對(duì)癥下藥

『本文主要介紹了美國(guó)專(zhuān)利制度需要改革的原因及如何進(jìn)行改革。』  Intellectual property:Patent m......

24

2011.10

考研閱讀精選:付費(fèi)電視的未來(lái)-推陳出新

『作為媒體行業(yè)中重要的贏利模式以及產(chǎn)出精彩節(jié)目的主要來(lái)源,付費(fèi)電視模式日漸衰落�!弧 he futur......

24

2011.10

海文考研英語(yǔ)模考班(網(wǎng)授班)正在報(bào)名中

  海文考研英語(yǔ)�?及�(網(wǎng)授)  開(kāi)班日期:2011年11月中下旬  上課提示:下午:13:30  優(yōu)惠價(jià):......

24

2011.10

考研閱讀精選:如何調(diào)整美國(guó)的數(shù)學(xué)教育

『如今,美國(guó)的數(shù)學(xué)教育引起了國(guó)人的廣泛擔(dān)憂。數(shù)學(xué)源于實(shí)際生活應(yīng)用,但美國(guó)現(xiàn)行的數(shù)學(xué)課程已與生活脫......

您可能感興趣
為什么要報(bào)考研輔導(dǎo)班? 如何選擇考研輔導(dǎo)班? 考研輔導(dǎo)班哪個(gè)好? 哪些北京考研輔導(dǎo)班靠譜? 2019考研輔導(dǎo)班大全